Roxy Music
Art rock
ARTIST · NEW WAVE / ART
Quirk-funk precision—every mute chord answers a sociology thesis footnote.
Updated
Remain in Light’s polyrhythmic loops redefined white-boy funk possibilities.
Stop Making Sense turned minimal staging into avant-garde musical cinema.
Tina Weymouth bass lines carry melodic identity without stealing Byrne spotlight.
High-bitrate streams expose gated ambience, percussion cloud, and vocal deadpan.
David Byrne, Tina Weymouth, and Chris Frantz met at the Rhode Island School of Design, and Jerry Harrison joined later. Talking Heads: 77 (1977) included Psycho Killer, and Fear of Music (1979) and Remain in Light (1980), made with Brian Eno, introduced polyrhythms drawn from African music.
Speaking in Tongues (1983), with Burning Down the House, and Little Creatures (1985), with And She Was, followed. The concert film Stop Making Sense (1984), directed by Jonathan Demme, is considered a classic. The group split in 1991.
Despite appearing together on a panel at the film festival, David Byrne has said that the band is not reforming.
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